Monday, August 29, 2011
Jay-Z, Kanye West Accused Of Copyright Infringement
Jay-Z, Kanye West Accused Of Copyright Infringement
R&B artist Syl Johnson alleges Watch the Throne track samples his 'Different Strokes' without permission
Def Jam's lawyers are about to get busier. According to a post on "archival record label" and publisher the Numero Uno Group's blog, acclaimed R&B/soul singer Syl Johnson is considering a lawsuit against the Throne (Jay-Z and Kanye West) for an uncleared sample of one of his songs on their album Watch the Throne. A sample of Johnson's 1967 song "Different Strokes," which appears on the track "The Joy," was allegedly never properly cleared.
"Two decades and several lawsuits later, Syl Johnson is a veteran of copyright infringement cases, and has done very well for himself clearing samples from his fertile catalog (we're glad to say we've helped him with a few) for use in numerous tracks," reads part of the post. "He's been amply paid, as he is quick to boast in his concerts, by acts like Wu-Tang Clan, Kid Rock, and Michael Jackson. Other performers ... have not been so respectful."
The post, titled "Syl Johnson vs Kanye West/Jay-Z," goes on to say that the Numero Uno Group reached out to Def Jam's business department about clearing "The Joy" after Syl Johnson had gotten wind of the song. Last year, the Pete Rock-produced tune (Kanye West is credited as producer along with Mike Dean and Mike Bhaskar) was part of the G.O.O.D. Fridays series of leaks. Although originally intended to be included on West's My Beautiful Dark Twisted Fantasy, the sample was unable to be cleared in time to make the album (though an agreement was apparently reached for its use). Negotiations stalled due to the fact that the song was not actually being sold. However, "The Joy" recently reappeared as a bonus cut on the deluxe edition of Watch the Throne.
The Numero Uno Group points out that in the credits for Watch the Throne, they are erroneously identified as the publishers of Syl Johnson's "Different Strokes." "Wondering why we weren't consulted on this new use, and baffled why we appear in the credits, for which we never asked, we contacted the sample clearance house," continued the post. "Even they cannot get a response from their own clients. Island Def Jam seems to think that Syl doesn't have any fight left in him. We're betting otherwise."
Since the song appears on an album that is being sold — Watch the Throne has already gone gold, selling more than 600,000 units to date — Johnson is expected to be properly compensated for the use of his song, whether via a lawsuit or some sort of settlement. Messages to Def Jam representatives for comment were not returned as this story went to press.
Tuesday, August 23, 2011
Lil Wayne Sued Over Allegedly-Stolen Beat of 'How to Love'
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Lil Wayne continued to being the subject of copyright infringement allegation. Less than a month after he was reported to face a $15 million lawsuit for allegedly stealing "BedRock", the rap mogul is now accused of music fraud over another song "How to Love".
According to TMZ, a rapper named Rich Rick filed the legal complaint in L.A. County Superior Court last week. He claimed he purchased several master recordings between 2006 and 2009, including the beat that appears on Weezy's song, from a group of rap producers called Drummer Boyz.
Rick believed the producers pitched the same beat to the Young Money rapper in exchange for a 35% royalty agreement. Calling it a theft, he demanded all sums the group are entitled to under their agreement with Weezy, plus 10% interest.
Friday, August 5, 2011
Lil Wayne and Lady Gaga are sued for copyright infringement
Lil Wayne is facing copyright infringement lawsuit yet again. The "6 Foot 7 Foot" MC is accused by Georgia-based production company Done Deal Enterprises of stealing their copyrighted song "BedRock" and incorporated it into the track of the same name.
In the legal paper filed in the United States District Court, Southern district of New

"BedRock" is a hip-hop single featuring the likes of Drake, Nicki Minaj, Gudda Gudda, Tyga, Jae Millz and Lloyd. Taken from Young Money's compilation CD "We Are Young Money", it peaked at No. on Billboard Hot 200 and climbed to No. 1 on Rap Songs chart.
This is not the first time Weezy is slapped with such lawsuit. In May 2010, the rap mogul was sued by a rapper named Dirahn Gilliams for allegedly sampling his song for Grammy-winning single "Lollipop" without his consent. The suit came just a month after "Lollipop" producer Jim Jonsin took legal action against Weezy, claiming he has yet to receive any royalty payments for his work.
Additionally, another "Lollipop" producer Darius "Deezle" Harrison filed a multi-million dollar lawsuit over royalties from Weezy's "Mrs. Officer". Adding piles to the legal woes, Weezy was recently sued by production duo Play-N-Skillz and producer David Kirkwood over unpaid royalties to his song "Got Money" and album "Tha Carter III" respectively.
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August 4, 2011 (CHICAGO) (WLS) -- Rebecca Francescatti of Chicago filed a federal lawsuit against Lady Gaga and her record company over one of her songs.
The suit claims they stole Francescatti's song entitled "Juda" and changed the title to "Judas" on the singer's "Born This Way" album.
The suit claims the Chicago woman got a copyright for the song in 1999, and recorded it in 2004. She's seeking an unspecified amount of damages.
No one from Lady Gaga's camp is commenting on the matter.
Friday, July 8, 2011
John Legend and Ghost Face Killah are both sued for copyright infringement
A rapper's intense love of "Iron Man" is causing him legal trouble.
Hollywood composer Jack Urbont is suing Sony Music Entertainment and Ghostface Killah for illegally sampling his "Iron Man Theme," originally created for the 1960s television show, The Marvel Super Heroes.
Singer-songwriter Anthony Stokes has filed suit against John Legend, claiming that the Grammy-winning ivory tickler listened to his demo tape and modeled a song after one of his tracks.
The suit, filed in New Jersey, claims that Legend watched Stokes give a performance at UNC in 2004. Following the gig, Stokes gave Legend his demo tape with the promise that he would listen to it, but never heard back.
